Directors' Advice: Proudest Moment
DreamWrighters recently turned to our resident and several recent guest directors to hear about what makes them most proud. As we get ready to launch a capital campaign, we notice that like the campaign, these wonderful directors are proud about Putting Growth Center Stage!
DreamWrighters: Thanks for taking a few moments to share your thoughts with our audience. As a director, as you reflect on your directing experiences,what makes you most proud?
DIANE: This one is easy ... I love to watch people grow! And growth is not exclusive in any way. The magic of the theatre is love, according to William Saroyan, and I agree. All the world is a stage and we are all players, but only in live theatre do we have the opportunity to work and create together, not to win anything or beat the other team, but to share that creation with others the audience. You come together as strangers and depart as family. Everyone has the opportunity to grow his/her responsibility, self-confidence, interpersonal communication, knowledge, and emotional levels/skills. The results are huggable!! And often make me cry - good tears - of pride and happiness at being allowed the chance to see the multiple metamorphoses!!
PAIGE: What makes me most proud is watching people grow and discover things about their characters and themselves. I love seeing the world of the show come to life fully! And I love seeing people from all walks of life come together and create a show!
RODD: I've worked solely with kids and teens. I am most proud of my casts and crews. It have been a joy and privilege to watch them blossom during rehearsals and shows. When I get a thank you note at the end of a show and the kids thank me for casting them in a role that they didn't think they'd ever get, or they thank me for helping to grow their self-confidence. Man! That is beyond any hassle that may come with putting together any production. That's goes way beyond being proud, that touches me and encourages me. It builds me up and pushes me to want to be better for the next cast I direct.
MICHELLE: I am proud of the relationships people continue to have even when they're no longer involved in Theatre Under The Trees or DreamWrights. Last year, my brother Beau's best friend (who he met during Comedy of Errors) was in town for his father's funeral and when we were talking afterwards, he mentioned that he'd left his car in Los Angeles for another friend (he met during Much Ado About Nothing) to use. Earlier this year, two people who had played villains in one production were swapping stories about both Much Ado and their respective children on Twitter. It really brought home to me that one of the most important things about DreamWrights is the connections you make and the conversations you have.
KIRK: I find pride in the end of rehearsals each day, seeing the work that was accomplished, and knowing that the cast and crew are making me look good.
About the Directors
Diane Crews: Artistic Director and Playwright-in-Residence at DreamWrights. Diane is currently directing Young King Arthur. Having directed well over one hundred shows at DreamWrights, Young King Arthur will be her last production as she is set to retire in the Fall of 2016.
Paige Hoke: Paige Hoke is 2010 graduate of Arcadia University's BFA in Acting Program. She has experience directing, teaching, and acting in the York and Philadelphia areas. She most recently directed Seussical at DreamWrights.
Michelle Denise Norton: Founder and Director of DreamWrights' Theatre Under The Trees program. Along with all of her theatrical endeavors, Michelle is also a writer, artist and cartoonist. In Summer 2016, Theatre Under The Trees will be bringing As You Like It to local parks.
Rodd Robertson: Director and actor, Rodd most recently appeared in the Flippin’ Broadway musical revue at DreamWrights. He has directed a handful of productions including To See the Stars and Nancy Drew: Girl Detective at DreamWrights and elsewhere.
Kirk Wisler: Kirk made his directorial debut at DreamWrights this past summer, directing The Mouse that Roared. He has taken part in over thirty plays from 2001 until the present day. He hopes to continue directing and acting at DreamWrights for many more years to come.